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In a move typical of Tarantino’s endless abundance of reference points to favourite films of his own, he not only used the great western film scorer Ennio Morricone, but he used a song he wrote for one of the great westerns – 1968’s The Mercenary. In keeping with the fast-paced nature of the track, the cameras darted around the Bride, shooting her from a variety of different angles.Įnnio Morricone ‘L’Arena’ (from Kill Bill Vol. The prelude to battle this Japanese psychobilly track was played as Uma Thurman’s the Bride stalked the building readying herself for a bloody finale. The 5678’s “Woo Woo” (from Kill Bill Vol. Tarantino didn’t direct this film, but he did write it, so we’re more than happy to include this sensual Hispanic-flecked 70’s sounding number, played as Salma Hayek made her iconically famous dance in a bar, whilst a snake coiled around her curvaceous body. Tito And Tarantula ‘After Dark’ (from From Dusk Till Dawn) Quentin Tarantino: Possesses a fine record collection But how does it compare with some of the great sound tracks that the director has been known for over the past three decades in fact, what are the best songs to appear in Tarantino films? We've had a bit of a think and have put together ten songs that we don't think any self-respecting fan of the man could leave out. In Django Unchained, Quentin Tarantino has managed to assemble another top draw soundtrack established names like Ennio Morricone are including, as past and present soul and R&B stars like James Brown and Rick Ross, right up to modern contemporaries like John Legend - even Tupac makes an appearance. Let's forget the controversy for a minute.